THE DEVIL. Dear lady: a parable must not be taken literally. The gulf is the difference between the angelic and the diabolic temperament. What more impassable gulf could you have? Think of what you have seen on earth. There is no physical gulf between the philosopher's class room and the bull ring; but the bull fighters do not come to the class room for all that. Have you ever been in the country where I have the largest following--
England? There they have great racecourses, and also concert rooms where they play the classical compositions of his Excellency's friend Mozart. Those who go to the racecourses can stay away from them and go to the classical concerts instead if they like: there is no law against it; for Englishmen never will be slaves: they are free to do whatever the Government and public opinion allows them to do. And the classical concert is admitted to be a higher, more cultivated, poetic, intellectual, ennobling place than the racecourse. But do the lovers of racing desert their sport and flock to the concert room? Not they. They would suffer there all the weariness the Commander has suffered in heaven. There is the great gulf of the parable between the two places. A mere physical gulf they could bridge; or at least I could bridge it for them (the earth is full of Devil's Bridges); but the gulf of dislike is impassable and eternal. And that is the only gulf that separates my friends here from those who are invidiously called the blest.
ANA. I shall go to heaven at once.
THE STATUE. My child; one word of warning first. Let me complete my friend Lucifer's similitude of the classical concert. At every one of those concerts in England you will find rows of weary people who are there, not because they really like classical music, but because they think they ought to like it. Well, there is the same thing in heaven. A number of people sit there in glory, not because they are happy, but because they think they owe it to their position to be in heaven. They are almost all English.
THE DEVIL. Yes: the Southerners give it up and join me just as you have done. But the English really do not seem to know when they are thoroughly miserable. An Englishman thinks he is moral when he is only uncomfortable.
THE STATUE. In short, my daughter, if you go to Heaven without being naturally qualified for it, you will not enjoy yourself there.
ANA. And who dares say that I am not naturally qualified for it?
The most distinguished princes of the Church have never questioned it. I owe it to myself to leave this place at once.
THE DEVIL. [offended] As you please, Senora. I should have expected better taste from you.
ANA. Father: I shall expect you to come with me. You cannot stay here. What will people say?
THE STATUE. People! Why, the best people are here--princes of the church and all. So few go to Heaven, and so many come here, that the blest, once called a heavenly host, are a continually dwindling minority. The saints, the fathers, the elect of long ago are the cranks, the faddists, the outsiders of to-day.
THE DEVIL. It is true. From the beginning of my career I knew that I should win in the long run by sheer weight of public opinion, in spite of the long campaign of misrepresentation and calumny against me. At bottom the universe is a constitutional one; and with such a majority as mine I cannot be kept permanently out of office.
DON JUAN. I think, Ana, you had better stay here.
ANA. [jealously] You do not want me to go with you.
DON JUAN. Surely you do not want to enter Heaven in the company of a reprobate like me.
ANA. All souls are equally precious. You repent, do you not?
DON JUAN. My dear Ana, you are silly. Do you suppose heaven is like earth, where people persuade themselves that what is done can be undone by repentance; that what is spoken can be unspoken by withdrawing it; that what is true can be annihilated by a general agreement to give it the lie? No: heaven is the home of the masters of reality: that is why I am going thither.
ANA. Thank you: I am going to heaven for happiness. I have had quite enough of reality on earth.
DON JUAN. Then you must stay here; for hell is the home of the unreal and of the seekers for happiness. It is the only refuge from heaven, which is, as I tell you, the home of the masters of reality, and from earth, which is the home of the slaves of reality. The earth is a nursery in which men and women play at being heros and heroines, saints and sinners; but they are dragged down from their fool's paradise by their bodies: hunger and cold and thirst, age and decay and disease, death above all, make them slaves of reality: thrice a day meals must be eaten and digested: thrice a century a new generation must be engendered: ages of faith, of romance, and of science are all driven at last to have but one prayer " Make me a healthy animal." But here you escape the tyranny of the flesh; for here you are not an animal at all: you are a ghost, an appearance, an illusion, a convention, deathless, ageless: in a word, bodiless.
There are no social questions here, no political questions, no religious questions, best of all, perhaps, no sanitary questions.
Here you call your appearance beauty, your emotions love, your sentiments heroism, your aspirations virtue, just as you did on earth; but here there are no hard facts to contradict you, no ironic contrast of your needs with your pretensions, no human comedy, nothing but a perpetual romance, a universal melodrama.
As our German friend put it in his poem, "the poetically nonsensical here is good sense; and the Eternal Feminine draws us ever upward and on"--without getting us a step farther. And yet you want to leave this paradise!
ANA. But if Hell be so beautiful as this, how glorious must heaven be!
The Devil, the Statue, and Don Juan all begin to speak at once in violent protest; then stop, abashed.
DON JUAN. I beg your pardon.
THE DEVIL. Not at all. I interrupted you.
THE STATUE. You were going to say something.
DON JUAN. After you, gentlemen.
