登陆注册
18990400000026

第26章

REV. DR. FOLLIOTT. In these cases, I do. They are both one, with a slight difference. The one is the literature of pantomime, the other is the pantomime of literature. There is the same variety of character, the same diversity of story, the same copiousness of incident, the same research into costume, the same display of heraldry, falconry, minstrelsy, scenery, monkery, witchery, devilry, robbery, poachery, piracy, fishery, gipsy-astrology, demonology, architecture, fortification, castrametation, navigation; the same running base of love and battle. The main difference is, that the one set of amusing fictions is told in music and action; the other in all the worst dialects of the English language. As to any sentence worth remembering, any moral or political truth, anything having a tendency, however remote, to make men wiser or better, to make them think, to make them ever think of thinking; they are both precisely alike nuspiam, nequaquam, nullibi, nullimodis.

LADY CLARINDA. Very amusing, however.

REV. DR. FOLLIOTT. Very amusing, very amusing.

MR. CHAINMAIL. My quarrel with the northern enchanter is, that he has grossly misrepresented the twelfth century.

REV. DR. FOLLIOTT. He has misrepresented everything, or he would not have been very amusing. Sober truth is but dull matter to the reading rabble. The angler, who puts not on his hook the bait that best pleases the fish, may sit all day on the bank without catching a gudgeon.

MR. MAC QUEDY. But how do you mean that he has misrepresented the twelfth century? By exhibiting some of its knights and ladies in the colours of refinement and virtue, seeing that they were all no better than ruffians, and something else that shall be nameless?

MR. CHAINMAIL. By no means. By depicting them as much worse than they were, not, as you suppose, much better. No one would infer from his pictures that theirs was a much better state of society than this which we live in.

MR. MAC QUEDY. No, nor was it. It was a period of brutality, ignorance, fanaticism, and tyranny; when the land was covered with castles, and every castle contained a gang of banditti, headed by a titled robber, who levied contributions with fire and sword; plundering, torturing, ravishing, burying his captives in loathsome dungeons, and broiling them on gridirons, to force from them the surrender of every particle of treasure which he suspected them of possessing; and fighting every now and then with the neighbouring lords, his conterminal bandits, for the right of marauding on the boundaries. This was the twelfth century, as depicted by all contemporary historians and poets.

MR. CHAINMAIL. No, sir. Weigh the evidence of specific facts; you will find more good than evil. Who was England's greatest hero--the mirror of chivalry, the pattern of honour, the fountain of generosity, the model to all succeeding ages of military glory?

Richard the First. There is a king of the twelfth century. What was the first step of liberty? Magna Charta. That was the best thing ever done by lords. There are lords of the twelfth century.

You must remember, too, that these lords were petty princes, and made war on each other as legitimately as the heads of larger communities did or do. For their system of revenue, it was, to be sure, more rough and summary than that which has succeeded it, but it was certainly less searching and less productive. And as to the people, I content myself with these great points: that every man was armed, every man was a good archer, every man could and would fight effectively, with sword or pike, or even with oaken cudgel; no man would live quietly without beef and ale if he had them not; he fought till he either got them, or was put out of condition to want them. They were not, and could not be, subjected to that powerful pressure of all the other classes of society, combined by gunpowder, steam, and fiscality, which has brought them to that dismal degradation in which we see them now. And there are the people of the twelfth century.

MR. MAC QUEDY. As to your king, the enchanter has done him ample justice, even in your own view. As to your lords and their ladies, he has drawn them too favourably, given them too many of the false colours of chivalry, thrown too attractive a light on their abominable doings. As to the people, he keeps them so much in the background, that he can hardly be said to have represented them at all, much less misrepresented them, which indeed he could scarcely do, seeing that, by your own showing, they were all thieves, ready to knock down any man for what they could not come by honestly.

MR. CHAINMAIL. No, sir. They could come honestly by beef and ale, while they were left to their simple industry. When oppression interfered with them in that, then they stood on the defensive, and fought for what they were not permitted to come by quietly.

MR. MAC QUEDY. If A., being aggrieved by B., knocks down C., do you call that standing on the defensive?

MR. CHAINMAIL. That depends on who or what C. is.

REV. DR. FOLLIOTT. Gentlemen, you will never settle this controversy till you have first settled what is good for man in this world; the great question, de finibus, which has puzzled all philosophers. If the enchanter has represented the twelfth century too brightly for one, and too darkly for the other of you, I should say, as an impartial man, he has represented it fairly. My quarrel with him is, that his works contain nothing worth quoting; and a book that furnishes no quotations, is me judice, no book--it is a plaything. There is no question about the amusement,--amusement of multitudes; but if he who amuses us most is to be our enchanter [Greek text], then my enchanter is the enchanter of Covent Garden.

同类推荐
  • 佛说弥勒下生成佛经-义净

    佛说弥勒下生成佛经-义净

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • TOM SAWYER ABROAD

    TOM SAWYER ABROAD

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 李司马桥了承高使君

    李司马桥了承高使君

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 寄秋轩吟草

    寄秋轩吟草

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 台湾诗钞

    台湾诗钞

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
热门推荐
  • 总有一个人,温暖你远方

    总有一个人,温暖你远方

    迷茫·不畏将来。人生是没有答案的,我们都是边寻找边学习着生活。青春·告别与寻找。我遇见了未曾预料的烟花,与未曾预料到的告别。那些想要说出口的喜欢和我的眼泪,请一起淹没在森户海岸。行走·慢品时光。一段什么都不用担心的时光,一座不担心浪费生命与时间的小镇。邂逅·都是想象。似乎有些事情,存在在你想象里的才是最好的。梦想·拼尽全力。即使我们都在担心未来,悼念过去,每个人都在如此拼命地活着,拼命地向前奔跑着。爱情·终于等到你。在全世界与我为敌时,你说会跟我站在一起。远方·美好将至。你所坚信的、一直努力的东西总有天会来到你身边,在最好的时刻。
  • 你一直温暖相伴

    你一直温暖相伴

    爱情几经跌宕,最后归宿在何方?一个爱她的,一个她爱的,何去何从?
  • 阿育王经

    阿育王经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 若不曾见过你

    若不曾见过你

    二十二岁的夏悠草是个谜般的女孩,有着清秀出尘的外表,有着令人意外的行为,还有个身有残疾的男友。秦炎柏从警校毕业回家,被这个总也看不透的女孩所吸引。但走得越近,却发现事情越脱离自己的想象。外界的种种似乎都在告诉他,这是个危险的女孩。她做过牢,在夜总会打工,甚至还有盗窃嫌疑。卧室里的带血的麻绳,额头上的疤痕,似乎都越来越清晰地证实了他不愿相信的事实。他们原本应该是两条毫无交集的平行线,却因为霎那的悸动羁绊了心灵。为了她,他愿意抛开一切执着前行。当真相公诸于世时,她已经奄奄一息。如果不曾见过你,或许我将永远被困在这里。
  • 八月十五为鬼夜

    八月十五为鬼夜

    一栋与世隔绝的小村,藏匿着一个惊天的秘密,武祖祠堂中的铁门,数百年前奇异消失的戏班,鬼怪出没的观月湖畔,神鬼树洞中的女子,这一切的一切究竟是人为的报复还是她真的回来了…
  • 三界互联网

    三界互联网

    天啦噜,玉帝,扫把星,关二哥纷纷打赏,一出手就是极品啊有木有,月老给你一根红线,从此万花从中过,想拐谁就拐谁,而且是心甘情愿的那种,知道一个凡人被强行拖进有各种天神加入的三界神网是什么感觉吗?萧白可以很认真地回答你,绝对是酸爽,刺激,装逼,专治各种炫,专打各种不服!
  • 韩非子

    韩非子

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 梦中少年王俊凯

    梦中少年王俊凯

    女主乐语汐、女主童姗姗与梦中王子王俊凯的邂逅
  • 归墟传说

    归墟传说

    人生自古谁无死,多少才杰跪长生?天地不仁万物刍,圣贤无情众生蚁。红尘大千,众生争渡,弱肉强食,唯利至上,世风不存,人心不古……一个天生短命之人,身中绝传的衰神附体恶毒诅咒,凭借一腔偏执劲,为本心,为爱恨,历千劫百难,战诸天神魔,谱写出一曲令人荡气回肠、悲叹可敬的归墟战歌……
  • 黑色迷你裙

    黑色迷你裙

    这些年,有人咒我下地狱,有人因我上天堂,天堂与地狱,不过一线之隔,而我,只想从地狱里爬出来……