STEPHEN (Throws up his hands.) O， this is too monotonous！ Nothing. He wants my money and my life， though want must be his master， for some brutish empire of his. Money I haven't. (He searches his pockets vaguely.) Gave it to someone.
PRIVATE CARR Who wants your bleeding money？
STEPHEN (Tries to move off.) Will some one tell me where I am least likely to meet these necessary evils？ ？a se voit aussi à Paris. Not that I... But by Saint Patrick！...
(The women's heads coalesce. Old Gummy Granny in sugarloaf hat appears seated on a toadstool， the deathflower of the potato blight on her breast.)STEPHEN Aha！ I know you， grammer！ Hamlet， revenge！ The old sow that eats her farrow！
OLD GUMMY GRANNY (Rocking to and fro.) Ireland's sweetheart， the king of Spain's daughter， alanna. Strangers in my house， bad manners to them！ (She keens with banshee woe.) Ochone！ Ochone！ Silk of the kine！ (She wails.) You met with poor old Ireland and how does she stand？
STEPHEN How do I stand you？ The hat trick！ Where's the third person of the Blessed Trinity？ Soggarth Aroon？ The reverend Carrion Crow.
CISSY CAFFREY (Shrill.) Stop them from fighting！
A ROUGH Our men retreated.
PRIVATE CARR (Tugging at his belt.) I'll wring the neck of any bugger says a word against my fucking king.
BLOOM (Terrified.) He said nothing. Not a word. A pure misunderstanding.
THE CITIZEN Erin go bragh！
(Major Tweedy and the Citizen exhibit to each other medals， decorations， trophies of war wounds. Both salute with fierce hostility.)PRIVATE COMPTON Go it， Harry. Do him one in the eye. He's a proboer.
STEPHEN Did I？ When？
BLOOM (To the redcoats.) We fought for you in South Africa， Irish missile troops. Isn't that history？ Royal Dublin Fusiliers. Honoured by our monarch.
THE NAVVY (Staggering past.) O， yes. O， God， yes！ O， make the kwawr a krowawr！ O！ Bo！
(Casqued halberdiers in armour thrust forward a pentice of gutted spear points. Major Tweedy， moustached like Turko the terrible， in bearskin cap with hackle plume and accoutrements， with epaulette， gilt chevrons and sabretache， his breast bright with medals， toes the line. He gives the pilgrim warrior's sign of the knights templars.)MAJOR TWEEDY (Growls gruffly.) Rorke's Drift！ Up， guards， and at them！ Mahal shalal hashbaz.
PRIVATE CARR I'll do him in.
PRIVATE COMPTON (Waves the crowd back.) Fair play， here. Make a bleeding butcher's shop of the bugger.
(Massed bands blare Garryowen and God save the king.)CISSY CAFFREY They're going to fight. For me！
CUNTY KATE The brave and the fair.
BIDDY THE CLAP Methinks yon sable knight will joust it with the best.
CUNTY KATE (Blushing deeply.) Nay， Madam. The gules doublet and merry Saint George for me！
STEPHEN The harlot's cry from street to street Shall weave old Ireland's windingsheet.
PRIVATE CARR (Loosening his belt， shouts.) I'll wring the neck of any fucking bastard says a word against my bleeding fucking king.
BLOOM (Shakes Cissy Caffrey's shoulders.) Speak， you！ Are you struck dumb？ You are the link between nations and generations. Speak， woman， sacred lifegiver.
CISSY CAFFREY (Alarmed seizes Private Carr's sleeve.) Amn't I with you？ Amn't I your girl？ Cissy's your girl. (She cries.) Police！
STEPHEN (Ecstatically， to Cissy Caffrey.)White thy fambles， red thy gan
And thy quarrons dainty is.
VOICES Police！
DISTANT VOICES Dublin's burning！ Dublin's burning！ On fire， on fire！
(Brimstone fires spring up. Dense clouds roll past. Heavy Gatling guns boom. Pandemonium. Troops deploy. Gallop of hoofs. Artillery. Hoarse commands. Bells clang. Backers shout. Drunkards bawl. Whores screech. Foghorns hoot. Cries of valour. Shrieks of dying. Pikes clash on cuirasses. Thieves rob the slain. Birds of prey， winging from the sea， rising from marsh lands， swooping from eyries， hover screaming， gannets， connorants， vultures， goshawks， climbing woodcocks， peregrines， merlin， blackgrouse， sea eagles， gulls， albatrosses， barnacle geese. The midnight sun is darkened. The earth trembles. The dead of Dublin from Prospect and Mount Jerome in white sheepskin overcoats and black goat-fell cloaks arise and appear to many. A chasm opens with a noiseless yawn. Tom Rochford， winner in athletes singlet and breeches， arrives at the head of the national hurdle handicap and leaps into the void. He is followed by a race of runners and leapers. In wild attitudes they spring from the brink. Their bodies plunge. Factory lasses with fancy clothes toss redhot Yorkshire baraabombs. Society ladies lift their skirts above their heads to protect themselves. laughing witches in red cutty sarks ride through the air on broomsticks. Quakerlyster plasters blisters. It rains dragon's teeth. Armed heroes spring up from furrows. They exchange in amity the pass of knights of the red cross and fight duels with cavalry sabres： Wolfe Tone against Henry Grattan， Smith O'Brien against Daniel O'Connell， Michael Davitt against Isaac Butt， Justin M'Carthy against Parnell， Arthur Griffith against John Redmond John O'Leary against liar O'Johnny， lord Edward Fitzgerald against lord Gerald Fitzedward， The O'Donoghue of the Glens against The Glens of The Donoghue. On an eminence， the centre of the earth， rises the field altar of Saint Barbara. Black candles rise from its gospel and epistle horns. From the high barbicans of the tower two shafts of light fall on the smokepalled altarstone. On the altarstone Mrs Mina Purefoy， goddess of unreason， lies naked， fettered， a chalice resting on her swollen belly. Father Malachi O'Flynn， in a long petticoat and reversed chasuble， his two left feet back to the front， celebrates camp mash. The Reverend Mr Hugh C. Haines love MA. in a plain cassock and mortar board， his head and collar back to the front， holds over the celebrants head an open umbrella.)FATHER MALACHI O'FLYNN Introibo ad altare diaboli.
THE REVEREND MR HAINES LOVE To the devil which hath made glad my young days.
