In the latter part of July large crowds visited the Church of the Hotel des Invalides, in which were placed the remains of General Saint-Hilaire and the Duke de Montebello, the remains of the marshal being placed near the tomb of Turenne. The mornings were spent in the celebration of several masses, at a double altar which was raised between the nave and the dome; and for four days there floated from the spire of the dome a long black banner or flag edged with white.
The day the remains of the marshal were removed from the Invalides to the Pantheon, I was sent from Saint-Cloud to Paris with a special message for the Emperor. After this duty was attended to, I still had a short time of leisure, of which I availed myself to witness the sad ceremony and bid a last adieu to the brave warrior whose death I had witnessed. At noon all the civil and military authorities assembled at the Invalides; and the body was transferred from the dome into the church, and placed on a catafalque in the shape of a great Egyptian pyramid, raised on an elevated platform, and approached through four large arches, the posts of which were entwined with garlands of laurels interlaced with cypress.
At the corners were statues in the attitude of grief, representing Force, Justice, Prudence, and Temperance, virtues characteristic of the hero.
This pyramid ended in a funeral urn surmounted by a crown of fire. On the front of the pyramid were placed the arms of the duke, and medallions commemorating the most remarkable events of his life borne by genii.
Under the obelisk was placed the sarcophagus containing the remains of the marshal, at the corners of which were trophies composed of banners taken from his enemies, and innumerable silver candelabra were placed on the steps by which the platform was reached. The oaken altar, in the position it occupied before the Revolution, was double, and had a double tabernacle, on the doors of which were the commandments, the whole surmounted by a large cross, from the intersection of which was suspended a shroud. At the corners of the altar were the statues of St. Louis and St. Napoleon. Four large candelabra were placed on pedestals at the corners of the steps, and the pavement of the choir and that of the nave were covered with a black carpet. The pulpit, also draped in black and decorated with the Imperial eagle, and from which was pronounced the funeral oration over the marshal, was situated on the left in front of the bier; on the right was a seat of ebony decorated with Imperial arms, bees, stars, lace, fringes, and other ornaments in silver, which was intended for the prince arch-chancellor of the Empire, who presided at the ceremony. Steps were erected in the arches of the aisles, and corresponded to the tribunes which were above; and in front of these steps were seats and benches for the civil and military authorities, the cardinals, archbishops, bishops, etc. The arms, decorations, baton, and laurel crown of the marshal were placed on the bier.
All the nave and the bottom of the aisles were covered with black with a white bordering, as were the windows also, and the draperies displayed the marshal's arms, baton, and cipher.
The organ was entirely concealed by voluminous hangings which in no wise lessened the effect of its mournful tones. Eighteen sepulchral silver lamps were suspended by chains from lances, bearing on their points flags taken from the enemy. On the pilasters of the nave were fastened trophies of arms, composed of banners captured in the numerous engagements which had made the marshal's life illustrious. The railing of the altar on the side of the esplanade was draped in black, and above this were the arms of the duke borne by two figures of Fame holding palms of victory; above was written: "Napoleon to the Memory of the Duke of Montebello, who died gloriously on the field of Essling, 22d. May, 1809."
The conservatory of music executed a mass composed of selections from the best of Mozart's sacred pieces. After the ceremony the body was carried as far as the door of the church and placed on the funeral car, which was ornamented with laurel and four groups of the banners captured from the enemy by his army-corps in the numerous battles in which the marshal had taken part, and was preceded by a military and religious procession, followed by one of mourning and honor. The military cortege was composed of detachments from all branches of the army, cavalry, and light infantry, and the line, and artillery both horse and foot; followed by cannon, caissons, sappers, and miners, all preceded by drums, trumpets, bands, etc.; and the general staff, with the marshal, Prince of Wagram, at its head, formed of all the general officers, with the staff of the division and of the place.
The religious procession was composed of children and old men from the hospitals, clergy from all the parishes and from the metropolitan church of Paris, bearing crosses and banners, with singers and sacred music, and his Majesty's chaplain with his assistants. The car on which was placed the marshal's body followed immediately after. The marshals, Duke of Conegliano, Count Serrurier, Duke of Istria, and Prince of Eckmuhl, bore the corners of the pall. On each side of the car two of the marshal's aides-de-camp bore a standard, and on the bier were fastened the baton of the marshal and the decorations of the Duke of Montebello.
After the car came the cortege of mourning and of honor; the marshal's empty carriage, with two of his aides-de-camp on horseback at the door, four mourning carriages for the marshal's family, the carriages of the princes, grand dignitaries, marshals, ministers, colonel-generals, and chief inspectors. Then came a detachment of cavalry preceded by trumpets, and bands on horseback followed the carriages and ended the procession. Music accompanied the chants, all the bells of the churches tolled, and thirteen cannon thundered at intervals.
