Iola was undoubtedly pleased; her lips parting in a half smile, her eyes shining through half-closed lids, her whole face glowing with a warm light proclaimed the joy in her heart. The morning letters lay on her table. She sat some moments holding one which she had opened, while she gazed dreamily out through the branches of the big elms that overshadowed her window. She would not move lest the dream should break and vanish. As she lay back in her chair looking out upon the moving leaves and waving boughs, she allowed the past to come back to her. How far away seemed the golden days of her Southern childhood. Almost her first recollection of sorrow, certainly the first that made any deep impression upon her heart, was when the men carried out her father in a black box and when, leaving the big house with the wide pillared veranda, she was taken to the chilly North. How terribly vivid was the memory of her miserable girlhood, poverty pressed and loveless, her soul beating like a caged bird against the bars of the cold and rigid discipline of her aunt's well-ordered home. Then came the first glad freedom from dependence when first she undertook to earn her own bread as a teacher. Freedom and love came to her together, freedom and love and friendship in the Manse and the Old Stone Mill. With the memory of the Mill, there rose before her, clear-limned and vividly real, one face, rugged, strong, and passionate, and the thought of him brought a warmer light to her eyes and a stronger beat to her heart. Every feature of the moonlight scene on the night of the barn-raising when first she saw him stood out with startling distinctness, the new skeleton of the barn gleaming bony and bare against the sky, the dusky forms crowding about, and, sitting upon a barrel across the open moonlit space of the barn floor, the dark-faced lad playing his violin and listening while she sang. At that point it was that life for her began.
A new scene passed before her eyes. It was the Manse parlour, the music professor with dirty, claw-like fingers but face alight with rapturous delight playing for her while she sang her first great oratorio aria. She could feel to-day that mysterious thrill in the dawning sense of new powers as the old man, with his hands upon her shoulders, cried in his trembling, broken voice, "My dear young lady, the world will listen to you some day!" That was the beginning of her great ambition. That day she began to look for the time when the world would come to listen. Then followed weary days and weeks and months and years, weary with self-denials new to her and with painful struggling with unmusical pupils, for she needed bread; weary with heart-breaking strivings and failings in the practice of her art, but, worst of all, weary to heart-break with the patronage of the rich and flattering friends--how she loathed it--of whom Dr. Bulling was the most insistent and the most objectionable. And then this last campaign, with its plans and schemes for a place in the great Philharmonic which would at once insure not only her standing in the city, but a New York engagement as well. And now the moment of triumph had arrived. The letter she held in her hand was proof of it. She glanced once more at the written page, her eye falling upon a phrase here and there, "We have succeeded at last--the Duff Charringtons have surrendered--you only want a chance--here it is--you can do the part well." She smiled a little. Yes, she knew she could do the part. "And now let nothing or nobody prevent you from accepting Mrs. Duff Charrington's invitation for next Saturday. It is a beautiful yacht and well found, and I am confident the great lady will be gracious--bring your guitar with you, and if you will only be kind, I foresee two golden days in store for me." She allowed a smile slightly sarcastic to curl her lips.
"The doctor is inclined to be poetical. Well, we shall see.
Saturday? That means Sunday spent on board the yacht. I wish they had it made another day. Margaret won't like it, and Barney won't either."
For a moment or two she allowed her mind to go back to the Sundays spent in the Manse. She had never known the meaning of the day before. The utter difference in feeling, in atmosphere, between that day and the other days of the week, the subduing quiet, the soothing peace, and the sense of sacredness that pervaded life on that day, made the Sabbaths in the Manse like blessed isles of rest in the sea of time. Never, since her two years spent there, had she been able to get quite away from the sense of obligation to make the day differ from the ordinary days of the week. No, she was sure Barney would not like it. Still, she could spend its hours quietly enough upon the yacht.
She picked up another letter in a large square envelope, the address written in bold characters. "This is the Duff Charrington invitation, I suppose," she said, opening the letter. "Well, she does it nicely, at any rate, even if, as Dr. Bulling suggests, somewhat against her inclination."
Again she sat back in silent dreaming, her eyes looking far away down the coming years of triumph. Surely enough, the big world was drawing near to listen. All she had read of the great queens of song, Patti, Nilsson, Rosa, Trebelli, Sterling, crowded in upon her mind, their regal courts thronged by the great and rich of every land, their country seats, their luxurious lives. At last her foot was in the path. It only remained for her to press forward. Work?
She well knew how hard must be her daily lot. Yes, but that lesson she had learned, and thoroughly well, during these past years, how to work long hours, to deny herself the things her luxurious soul longed for, and, hardest of all, to bear with and smile at those she detested. All these she would endure a little longer. The days were coming when she would have her desire and do her will.
She glanced at the other letters upon the table. "Barney," she cried, seizing one. An odd compunction struck into her heart.
