登陆注册
19686600000003

第3章 I(3)

"But--it's odd--there's a gap in my memory. I don't remember the games we played. I never remembered. Afterwards, as a child, I spent long hours trying, even with tears, to recall the form of that happiness. I wanted to play it all over again--in my nursery --by myself. No! All I remember is the happiness and two dear playfellows who were most with me . . . . Then presently came a sombre dark woman, with a grave, pale face and dreamy eyes, a sombre woman wearing a soft long robe of pale purple, who carried a book and beckoned and took me aside with her into a gallery above a hall--though my playmates were loth to have me go, and ceased their game and stood watching as I was carried away. 'Come back to us!' they cried. 'Come back to us soon!' I looked up at her face, but she heeded them not at all. Her face was very gentle and grave. She took me to a seat in the gallery, and I stood beside her, ready to look at her book as she opened it upon her knee. The pages fell open. She pointed, and I looked, marvelling, for in the living pages of that book I saw myself; it was a story about myself, and in it were all the things that had happened to me since ever I was born . . . .

"It was wonderful to me, because the pages of that book were not pictures, you understand, but realities."

Wallace paused gravely--looked at me doubtfully.

"Go on," I said. "I understand."

"They were realities--yes, they must have been; people moved and things came and went in them; my dear mother, whom I had near forgotten; then my father, stern and upright, the servants, the nursery, all the familiar things of home. Then the front door and the busy streets, with traffic to and fro: I looked and marvelled, and looked half doubtfully again into the woman's face and turned the pages over, skipping this and that, to see more of this book, and more, and so at last I came to myself hovering and hesitating outside the green door in the long white wall, and felt again the conflict and the fear.

"'And next?' I cried, and would have turned on, but the cool hand of the grave woman delayed me.

"'Next?' I insisted, and struggled gently with her hand, pulling up her fingers with all my childish strength, and as she yielded and the page came over she bent down upon me like a shadow and kissed my brow.

"But the page did not show the enchanted garden, nor the panthers, nor the girl who had led me by the hand, nor the playfellows who had been so loth to let me go. It showed a long grey street in West Kensington, on that chill hour of afternoon before the lamps are lit, and I was there, a wretched little figure, weeping aloud, for all that I could do to restrain myself, and I was weeping because I could not return to my dear play-fellows who had called after me, 'Come back to us! Come back to us soon!' I was there. This was no page in a book, but harsh reality; that enchanted place and the restraining hand of the grave mother at whose knee I stood had gone--whither have they gone?"

He halted again, and remained for a time, staring into the fire.

"Oh! the wretchedness of that return!" he murmured.

"Well?" I said after a minute or so.

"Poor little wretch I was--brought back to this grey world again! As I realised the fulness of what had happened to me, I gave way to quite ungovernable grief. And the shame and humiliation of that public weeping and my disgraceful homecoming remain with me still. I see again the benevolent-looking old gentleman in gold spectacles who stopped and spoke to me--prodding me first with his umbrella. 'Poor little chap,' said he; 'and are you lost then?'--and me a London boy of five and more! And he must needs bring in a kindly young policeman and make a crowd of me, and so march me home. Sobbing, conspicuous and frightened, I came from the enchanted garden to the steps of my father's house.

"That is as well as I can remember my vision of that garden--the garden that haunts me still. Of course, I can convey nothing of that indescribable quality of translucent unreality, that difference from the common things of experience that hung about it all; but that--that is what happened. If it was a dream, I am sure it was a day-time and altogether extraordinary dream . . . . . . H'm!--naturally there followed a terrible questioning, by my aunt, my father, the nurse, the governess--everyone . . . . . .

"I tried to tell them, and my father gave me my first thrashing for telling lies. When afterwards I tried to tell my aunt, she punished me again for my wicked persistence. Then, as I said, everyone was forbidden to listen to me, to hear a word about it. Even my fairy tale books were taken away from me for a time--because I was 'too imaginative.' Eh? Yes, they did that! My father belonged to the old school . . . . . And my story was driven back upon myself. I whispered it to my pillow--my pillow that was often damp and salt to my whispering lips with childish tears. And I added always to my official and less fervent prayers this one heartfelt request: 'Please God I may dream of the garden. Oh! take me back to my garden! Take me back to my garden!'

"I dreamt often of the garden. I may have added to it, I may have changed it; I do not know . . . . . All this you understand is an attempt to reconstruct from fragmentary memories a very early experience. Between that and the other consecutive memories of my boyhood there is a gulf. A time came when it seemed impossible I should ever speak of that wonder glimpse again."

I asked an obvious question.

"No," he said. "I don't remember that I ever attempted to find my way back to the garden in those early years. This seems odd to me now, but I think that very probably a closer watch was kept on my movements after this misadventure to prevent my going astray. No, it wasn't until you knew me that I tried for the garden again. And I believe there was a period --incredible as it seems now--when I forgot the garden altogether--when I was about eight or nine it may have been. Do you remember me as a kid at Saint Athelstan's?"

"Rather!"

"I didn't show any signs did I in those days of having a secret dream?"

同类推荐
  • 大正句王经

    大正句王经

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 陈莲舫先生医案

    陈莲舫先生医案

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
  • 送韦书记归京

    送韦书记归京

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 内经药瀹

    内经药瀹

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。汇聚授权电子版权。
  • 赋百舌鸟

    赋百舌鸟

    本书为公版书,为不受著作权法限制的作家、艺术家及其它人士发布的作品,供广大读者阅读交流。
热门推荐
  • 鬼帝盛宠妻:神医废柴妃

    鬼帝盛宠妻:神医废柴妃

    慕容絮,天医世家继承者,遭遇背叛,魂穿地界,附身同名同姓少女身上。尼玛,此女是废柴?还懦弱自卑、受尽欺凌?没关系,有她强魂入住,看她如何逆转人生。界力?炼丹?乖乖,本小姐可是伟大继承者,这些小意思。废柴变天才,白痴变腹黑,一手炼丹,一手制毒,外有萌宠追随。契魔宠、拜名师、斗丹会,学院大陆遍地走,妖孽鬼帝紧追随。男强女强,强强联手,宠溺温馨,文文一对一!
  • 山河扣问

    山河扣问

    山河扣问,是邓涛在叹惋历史文化足迹中,娓娓道出的对生命、对往昔的体验感知;是通过心灵关切探寻着沧桑世道是非曲直的文化捕捞;是用内心独白式的温润对秦砖汉瓦的深情抚摸;是一支秀气的笔,在拨开朦胧,于迷雾中印证自己紧抱不弃的人生信条。
  • 沉稳撑场

    沉稳撑场

    残酷的现实让人觉得梦想是遥不可及的。在比赛中屡屡失败的她在别人的白眼下继续前进。尽管所有人都知道她失败的原因不在她,在于这个社会,这个不公平的社会。她终于无法忍受。抛下好学生的架子,她要好好疯一回!现在,无止限的作死就是她的目标!从前的梦想依然还在,可会实现吗?
  • 历代赋评注(魏晋卷)

    历代赋评注(魏晋卷)

    《历代赋评注》全书七卷,选录从先秦至近代三百多位作家的赋近六百篇加以注释和品评。其中大部分作品以前没有人注过。主编赵逵夫教授为著名辞赋研究专家,中国辞赋学会顾问。各卷主编和撰稿人也都是在古代文学研究方面有较高修养的学者,基本上都是高职和博士。本书是目前篇幅最大的一部历代赋注评本。书中对入选作家的生平和作品的背景均作了介绍。
  • 嗨!我最喜欢的常识故事

    嗨!我最喜欢的常识故事

    所谓“常识”,就是普通的知识,或是众所周知的知识、一般的知识、日常知识。常识在我们日常生活和工作中占有重要的位置,一个缺乏常识的人,其生活能力和工作能力往往是底下的。作为小学生,掌握一些常识是有必要的,这不但能提高自身的生活能力,还能进一步丰富自身的文化知识——常识也是一种文化。
  • 三界图书馆

    三界图书馆

    求职无门的刁保乐被一家古怪的图书馆招聘去当一名图书管理员,却不料来看书的都是些妖魔鬼怪!而图书馆里的书更是吊炸天!《渡劫姿势大全》《穿墙术全攻略》《赶尸宝典》《嫦娥的秘密》《100个茅山小法术》《带你成仙带你飞》……刁保乐觉得自己的人生要碉堡了。
  • 轨迹

    轨迹

    一个事业有成的老实男人总觉得生活中缺了什么,一个女人的出现,让以为找到了缺失,谁知麻烦就此开始。
  • 独家尤物:前夫别套路

    独家尤物:前夫别套路

    那个男人深沉,稳重,有着世界上最完美的容颜。可,那只是表面。唐小婉以为满口敬语的叫他叔叔,应该换来相同的尊重,谁知她的‘夜星’叔却每天都想着怎么把她吃干抹净。“夜星叔叔,能不能不要老是在小婉的面前不穿衣服乱晃。”夜星走近:“那?近一点,我们慢慢晃?”真爱过的人才会懂,深爱两字是刻骨,宠爱两字是铭心。
  • 异世末日录

    异世末日录

    一个诡异的游戏广告将林大力带入了一个莫名的世界,这个世界正遭受着无尽的灾难。硝烟弥漫,丧尸横行,身为兵王的林大力的出现给幸存者们带来了一丝曙光。当太阳再一次升起时,是胜利的微笑还是惊恐的哭泣?本文将展现一个未知的末世世界,没有现代武器,没有魔法斗气。有的只是一把滴着血滴的断刃而已!!!!
  • 红颜妖娆一世

    红颜妖娆一世

    前世的她淡漠。上天再给她一次重生的机会,她发誓将活得逍遥自在,不求名留青史,只求留下浓墨重彩的一生!可是,男神太多,究竟谁才是她一生的救赎,一生的良人呢?(本文纯属虚构,请勿模仿。)