While grinding the ministerial machine, he had no leisure to cultivate letters, still less the arts; but he acquired a routine knowledge of his business, and when he had an opportunity to rise, under the Empire, to the sphere of superior employees, he assumed a superficial air of competence which concealed the son of a porter, though none of it rubbed into his mind. His ignorance, however, taught him to keep silence, and silence served him well. He accustomed himself to practise, under the imperial regime, a passive obedience which pleased his superiors; and it was to this quality that he owed at a later period his promotion to the rank of sub-director. His routine habits then became great experience; his manners and his silence concealed his lack of education, and his absolute nullity was a recommendation, for a cipher was needed. The government was afraid of displeasing both parties in the Chamber by selecting a man from either side; it therefore got out of the difficulty by resorting to the rule of seniority. That is how Thuillier became sub-director. Mademoiselle Thuillier, knowing that her brother abhorred reading, and could substitute no business for the bustle of a public office, had wisely resolved to plunge him into the cares of property, into the culture of a garden, in short, into all the infinitely petty concerns and neighborhood intrigues which make up the life of the bourgeoisie.
The transplanting of the Thuillier household from the rue d'Argenteuil to the rue Saint-Dominique d'Enfer, the business of making the purchase, of finding a suitable porter, and then of obtaining tenants occupied Thuillier from 1831 to 1832. When the phenomenon of the change was accomplished, and the sister saw that Jerome had borne it fairly well, she found him other cares and occupations (about which we shall hear later), all based upon the character of the man himself, as to which it will now be useful to give information.
Though the son of a ministerial porter, Thuillier was what is called a fine man, slender in figure, above middle height, and possessing a face that was rather agreeable if wearing his spectacles, but frightful without them; which is frequently the case with near-sighted persons; for the habit of looking through glasses has covered the pupils of his eyes with a sort of film.
Between the ages of eighteen and thirty, young Thuillier had much success among women, in a sphere which began with the lesser bourgeois and ended in that of the heads of departments. Under the Empire, war left Parisian society rather denuded of men of energy, who were mostly on the battlefield; and perhaps, as a great physician has suggested, this may account for the flabbiness of the generation which occupies the middle of the nineteenth century.
Thuillier, forced to make himself noticeable by other charms than those of mind, learned to dance and to waltz in a way to be cited; he was called "that handsome Thuillier"; he played billiards to perfection; he knew how to cut out likenesses in black paper, and his friend Colleville coached him so well that he was able to sing all the ballads of the day. These various small accomplishments resulted in that appearance of success which deceives youth and befogs it about the future. Mademoiselle Thuillier, from 1806 to 1814, believed in her brother as Mademoiselle d'Orleans believed in Louis-Philippe. She was proud of Jerome; she expected to see him the director-general of his department of the ministry, thanks to his successes in certain salons, where, undoubtedly, he would never have been admitted but for the circumstances which made society under the Empire a medley.
But the successes of "that handsome Thuillier" were usually of short duration; women did not care to keep his devotion any more than he desired to make his devotion eternal. He was really an unwilling Don Juan; the career of a "beau" wearied him to the point of aging him;his face, covered with lines like that of an old coquette, looked a dozen years older than the registers made him. There remained to him of all his successes in gallantry, a habit of looking at himself in mirrors, of buttoning his coat to define his waist, and of posing in various dancing attitudes; all of which prolonged, beyond the period of enjoying his advantages, the sort of lease that he held on his cognomen, "that handsome Thuillier."The truth of 1806 has, however, become a fable, in 1826. He retains a few vestiges of the former costume of the beaux of the Empire, which are not unbecoming to the dignity of a former sub-director. He still wears the white cravat with innumerable folds, wherein his chin is buried, and the coquettish bow, formerly tied by the hands of beauty, the two ends of which threaten danger to the passers to right and left. He follows the fashions of former days, adapting them to his present needs; he tips his hat on the back of his head, and wears shoes and thread stockings in summer; his long-tailed coats remind one of the well-known "surtouts" of the Empire; he has not yet abandoned his frilled shirts and his white waistcoats; he still plays with his Empire switch, and holds himself so erect that his back bends in. No one, seeing Thuillier promenading on the boulevards, would take him for the son of a man who cooked the breakfasts of the clerks at a ministry and wore the livery of Louis XVI.; he resembles an imperial diplomatist or a sub-prefect. Now, not only did Mademoiselle Thuillier very innocently work upon her brother's weak spot by encouraging in him an excessive care of his person, which, in her, was simply a continuation of her worship, but she also provided him with family joys, by transplanting to their midst a household which had hitherto been quasi-collateral to them.
It was that of Monsieur Colleville, an intimate friend of Thuillier.
