'It is neither a bold nor a diversified country,' said I to myself, 'this country which is three-quarters Flemish, and a quarter French; yet it has its attractions too. Though great lines of railway traverse it, the trains leave it behind, and go puffing off to Paris and the South, to Belgium and Germany, to the Northern Sea-Coast of France, and to England, and merely smoke it a little in passing. Then I don't know it, and that is a good reason for being here; and I can't pronounce half the long queer names I see inscribed over the shops, and that is another good reason for being here, since I surely ought to learn how.' In short, I was 'here,' and I wanted an excuse for not going away from here, and I made it to my satisfaction, and stayed here.
What part in my decision was borne by Monsieur P. Salcy, is of no moment, though I own to encountering that gentleman's name on a red bill on the wall, before I made up my mind. Monsieur P. Salcy, 'par permission de M. le Maire,' had established his theatre in the whitewashed Hotel de Ville, on the steps of which illustrious edifice I stood. And Monsieur P. Salcy, privileged director of such theatre, situate in 'the first theatrical arrondissement of the department of the North,' invited French-Flemish mankind to come and partake of the intellectual banquet provided by his family of dramatic artists, fifteen subjects in number. 'La Famille P.
SALCY, composee d'artistes dramatiques, au nombre de 15 sujets.'
Neither a bold nor a diversified country, I say again, and withal an untidy country, but pleasant enough to ride in, when the paved roads over the flats and through the hollows, are not too deep in black mud. A country so sparely inhabited, that I wonder where the peasants who till and sow and reap the ground, can possibly dwell, and also by what invisible balloons they are conveyed from their distant homes into the fields at sunrise and back again at sunset.
The occasional few poor cottages and farms in this region, surely cannot afford shelter to the numbers necessary to the cultivation, albeit the work is done so very deliberately, that on one long harvest day I have seen, in twelve miles, about twice as many men and women (all told) reaping and binding. Yet have I seen more cattle, more sheep, more pigs, and all in better case, than where there is purer French spoken, and also better ricks - round swelling peg-top ricks, well thatched; not a shapeless brown heap, like the toast of a Giant's toast-and-water, pinned to the earth with one of the skewers out of his kitchen. A good custom they have about here, likewise, of prolonging the sloping tiled roof of farm or cottage, so that it overhangs three or four feet, carrying off the wet, and making a good drying-place wherein to hang up herbs, or implements, or what not. A better custom than the popular one of keeping the refuse-heap and puddle close before the house door: which, although I paint my dwelling never so brightly blue (and it cannot be too blue for me, hereabouts), will bring fever inside my door. Wonderful poultry of the French-Flemish country, why take the trouble to BE poultry? Why not stop short at eggs in the rising generation, and die out and have done with it?
Parents of chickens have I seen this day, followed by their wretched young families, scratching nothing out of the mud with an air - tottering about on legs so scraggy and weak, that the valiant word drumsticks becomes a mockery when applied to them, and the crow of the lord and master has been a mere dejected case of croup.
Carts have I seen, and other agricultural instruments, unwieldy, dislocated, monstrous. Poplar-trees by the thousand fringe the fields and fringe the end of the flat landscape, so that I feel, looking straight on before me, as if, when I pass the extremest fringe on the low horizon, I shall tumble over into space. Little whitewashed black holes of chapels, with barred doors and Flemish inscriptions, abound at roadside corners, and often they are garnished with a sheaf of wooden crosses, like children's swords; or, in their default, some hollow old tree with a saint roosting in it, is similarly decorated, or a pole with a very diminutive saint enshrined aloft in a sort of sacred pigeon-house. Not that we are deficient in such decoration in the town here, for, over at the church yonder, outside the building, is a scenic representation of the Crucifixion, built up with old bricks and stones, and made out with painted canvas and wooden figures: the whole surmounting the dusty skull of some holy personage (perhaps), shut up behind a little ashy iron grate, as if it were originally put there to be cooked, and the fire had long gone out. A windmilly country this, though the windmills are so damp and rickety, that they nearly knock themselves off their legs at every turn of their sails, and creak in loud complaint. A weaving country, too, for in the wayside cottages the loom goes wearily - rattle and click, rattle and click - and, looking in, I see the poor weaving peasant, man or woman, bending at the work, while the child, working too, turns a little hand-wheel put upon the ground to suit its height. An unconscionable monster, the loom in a small dwelling, asserting himself ungenerously as the bread-winner, straddling over the children's straw beds, cramping the family in space and air, and making himself generally objectionable and tyrannical. He is tributary, too, to ugly mills and factories and bleaching-grounds, rising out of the sluiced fields in an abrupt bare way, disdaining, like himself, to be ornamental or accommodating. Surrounded by these things, here I stood on the steps of the Hotel de Ville, persuaded to remain by the P. Salcy family, fifteen dramatic subjects strong.
