THE room in which Father Salvierderra always slept when at the Senora Moreno's house was the southeast corner room. It had a window to the south and one to the east. When the first glow of dawn came in the sky, this eastern window was lit up as by a fire.
The Father was always on watch for it, having usually been at prayer for hours. As the first ray reached the window, he would throw the casement wide open, and standing there with bared head, strike up the melody of the sunrise hymn sung in all devout Mexican families. It was a beautiful custom, not yet wholly abandoned. At the first dawn of light, the oldest member of the family arose, and began singing some hymn familiar to the household. It was the duty of each person hearing it to immediately rise, or at least sit up in bed, and join in the singing. In a few moments the whole family would be singing, and the joyous sounds pouring out from the house like the music of the birds in the fields at dawn. The hymns were usually invocations to the Virgin, or to the saint of the day, and the melodies were sweet and simple.
On this morning there was another watcher for the dawn besides Father Salvierderra. It was Alessandro, who had been restlessly wandering about since midnight, and had finally seated himself under the willow-trees by the brook, at the spot where he had seen Ramona the evening before. He recollected this custom of the sunrise hymn when he and his band were at the Senora's the last year, and he had chanced then to learn that the Father slept in the southeast room. From the spot where he sat, he could see the south window of this room. He could also see the low eastern horizon, at which a faint luminous line already showed. The sky was like amber; a few stars still shone faintly in the zenith. There was not a sound. It was one of those rare moments in which one can without difficulty realize the noiseless spinning of the earth through space.
Alessandro knew nothing of this; he could not have been made to believe that the earth was moving. He thought the sun was coming up apace, and the earth was standing still,-- a belief just as grand, just as thrilling, so far as all that goes, as the other: men worshipped the sun long before they found out that it stood still.
Not the most reverent astronomer, with the mathematics of the heavens at his tongue's end, could have had more delight in the wondrous phenomenon of the dawn, than did this simple-minded, unlearned man.
His eyes wandered from the horizon line of slowly increasing light, to the windows of the house, yet dark and still. "Which window is hers? Will she open it when the song begins?" he thought. "Is it on this side of the house? Who can she be? She was not here last year.
Saw the saints ever so beautiful a creature!"
At last came the full red ray across the meadow. Alessandro sprang to his feet. In the next second Father Salvierderra flung up his south window, and leaning out, his cowl thrown off, his thin gray locks streaming back, began in a feeble but not unmelodious voice to sing,--
"O beautiful Queen, Princess of Heaven."
Before he had finished the second line, a half-dozen voices had joined in,-- the Senora, from her room at the west end of the veranda, beyond the flowers; Felipe, from the adjoining room;
Ramona, from hers, the next; and Margarita and other of the maids already astir in the wings of the house. As the volume of melody swelled, the canaries waked, and the finches and the linnets in the veranda roof. The tiles of this roof were laid on bundles of tule reeds, in which the linnets delighted to build their nests. The roof was alive with them,-- scores and scores, nay hundreds, tame as chickens; their tiny shrill twitter was like the tuning of myriads of violins.
"Singers at dawn From the heavens above People all regions;
Gladly we too sing," continued the hymn, the birds corroborating the stanza. Then men's voices joined in,-- Juan and Luigo, and a dozen more, walking slowly up from the sheepfolds. The hymn was a favorite one, known to all.
"Come, O sinners, Come, and we will sing Tender hymns To our refuge," was the chorus, repeated after each of the five verses of the hymn.
Alessandro also knew the hymn well. His father, Chief Pablo, had been the leader of the choir at the San Luis Rey Mission in the last years of its splendor, and had brought away with him much of the old choir music. Some of the books had been written by his own hand, on parchment. He not only sang well, but was a good player on the violin. There was not at any of the Missions so fine a band of performers on stringed instruments as at San Luis Rey. Father Peyri was passionately fond of music, and spared no pains in training all the neophytes under his charge who showed any special talent in that direction. Chief Pablo, after the breaking up of the Mission, had settled at Temecula, with a small band of his Indians, and endeavored, so far as was in his power, to keep up the old religious services. The music in the little chapel of the Temecula Indians was a surprise to all who heard it.
Alessandro had inherited his father's love and talent for music, and knew all the old Mission music by heart. This hymn to the "Beautiful Queen, Princess of Heaven," was one of his special favorites; and as he heard verse after verse rising, he could not forbear striking in.
At the first notes of this rich new voice, Ramona's voice ceased in surprise; and, throwing up her window, she leaned out, eagerly looking in all directions to see who it could be. Alessandro saw her, and sang no more.
"What could it have been? Did I dream it?" thought Ramona, drew in her head, and began to sing again.
With the next stanza of the chorus, the same rich barytone notes.
They seemed to float in under all the rest, and bear them along, as a great wave bears a boat. Ramona had never heard such a voice.
