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第82章

CHESS

Promptly at three o'clock Tuesday afternoon Arkwright appeared at the Strata, and for the next hour Billy did her best to learn the names and the moves of the pretty little ivory men.

But at the end of the hour she was almost ready to give up in despair.

``If there weren't so many kinds, and if they didn't all insist on doing something different, it wouldn't be so bad,'' she sighed. ``But how can you be expected to remember which goes diagonal, and which crisscross, and which can't go but one square, and which can skip 'way across the board, 'specially when that little pawn-thing can go straight ahead _two_ squares sometimes, and the next minute only one (except when it takes things, and then it goes crooked one square)and when that tiresome little horse tries to go all ways at once, and can jump 'round and hurdle over _anybody's_ head, even the king's--how can you expect folks to remember? But, then, Bertram remembers,'' she added, resolutely, ``so Iguess I can.''

Whenever possible, after that, Arkwright came on Tuesdays and Fridays, and, in spite of her doubts, Billy did very soon begin to ``remember.''

Spurred by her great desire to play with Bertram and surprise him, Billy spared no pains to learn well her lessons. Even among the baby's books and playthings these days might be found a ``Manual of Chess,'' for Billy pursued her study at all hours; and some nights even her dreams were of ruined, castles where kings and queens and bishops disported themselves, with pawns for servants, and where a weird knight on horseback used the castle's highest tower for a hurdle, landing always a hundred yards to one side of where he would be expected to come down.

It was not long, of course, before Billy could play a game of chess, after a fashion, but she knew just enough to realize that she actually knew nothing; and she knew, too, that until she could play a really good game, her moves would not hold Bertram's attention for one minute.

Not at present, therefore, was she willing Bertram should know what she was attempting to do.

Billy had not yet learned what the great surgeon had said to Bertram. She knew only that his arm was no better, and that he never voluntarily spoke of his painting. Over her now seemed to be hanging a vague horror. Something was the matter. She knew that. But what it was she could not fathom. She realized that Arkwright was trying to help, and her gratitude, though silent, knew no bounds. Not even to Aunt Hannah or Uncle William could she speak of this thing that was troubling her. That they, too, understood, in a measure, she realized. But still she said no word. Billy was wearing a proud little air of aloofness these days that was heart-breaking to those who saw it and read it aright for what it was: loyalty to Bertram, no matter what happened. And so Billy pored over her chessboard feverishly, tirelessly, having ever before her longing eyes the dear time when Bertram, across the table from her, should sit happily staring for half an hour at a move she had made.

Whatever Billy's chess-playing was to signify, however, in her own life, it was destined to play a part in the lives of two friends of hers that was most unexpected.

During Billy's very first lesson, as it chanced, Alice Greggory called and found Billy and Arkwright so absorbed in their game that they did not at first hear Eliza speak her name.

The quick color that flew to Arkwright's face at sight of herself was construed at once by Alice as embarrassment on his part at being found t<e^>te-<a!>-t<e^>te with Bertram Henshaw's wife. And she did not like it. She was not pleased that he was there. She was less pleased that he blushed for being there.

It so happened that Alice found him there again several times. Alice gave a piano lesson at two o'clock every Tuesday and Friday afternoon to a little Beacon Street neighbor of Billy's, and she had fallen into the habit of stepping in to see Billy for a few minutes afterward, which brought her there at a little past three, just after the chess lesson was well started.

If, the first time that Alice Greggory found Arkwright opposite Billy at the chess-table, she was surprised and displeased, the second and third times she was much more so. When it finally came to her one day with sickening illumination, that always the t<e^>te-<a!>-t<e^>tes were during Bertram's hour at the doctor's, she was appalled.

What could it mean? Had Arkwright given up his fight? Was he playing false to himself and to Bertram by trying thus, on the sly, to win the love of his friend's wife? Was this man, whom she had so admired for his brave stand, and to whom all unasked she had given her heart's best love (more the pity of it!)--was this idol of hers to show feet of clay, after all? She could not believe it. And yet--Sick at heart, but imbued with the determination of a righteous cause, Alice Greggory resolved, for Billy's sake, to watch and wait. If necessary she should speak to some one--though to whom she did not know. Billy's happiness should not be put in jeopardy if she could help it.

Indeed, no!

As the weeks passed, Alice came to be more and more uneasy, distressed, and grieved. Of Billy she could believe no evil; but of Arkwright she was beginning to think she could believe everything that was dishonorable and despicable.

And to believe that of the man she still loved--no wonder that Alice did not look nor act like herself these days.

Incensed at herself because she did love him, angry at him because he seemed to be proving himself so unworthy of that love, and genuinely frightened at what she thought was the fast-approaching wreck of all happiness for her dear friend, Billy, Alice did not know which way to turn. At the first she had told herself confidently that she would ``speak to somebody.'' But, as time passed, she saw the impracticability of that idea. Speak to somebody, indeed! To whom?

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