in American fashion, man to man, for, foul though you be, I hesitate to put a bullet through your craven heart."The beautiful girl shivered with new apprehension, the eyes of Snake le Vasquez glittered with new hope. He faced his steely eyed opponent for an instant only, then with a snarl like that of an angry beast sprang upon him. Benson met the cowardly attack with the flash of a powerful fist, and the outlaw fell to the floor with a hoarse cry of rage and pain. But he was quickly upon his feet again, muttering curses, and again he attacked his grim-faced antagonist.
Quick blows rained upon his defenseless face, for the strong, silent man was now fairly aroused. He fought like a demon, perhaps divining that here strong men battled for a good woman's love. The outlaw was proving to be no match for his opponent. Arising from the ground where a mighty blow had sent him, he made a lightning-like effort to recover the knife which Benson had taken from him.
"Have a care!" cried the girl in quick alarm. "That fiend in human form would murder you!"But Buck Benson's cool eye had seen the treachery in ample time.
With a muttered "Curse you, fiend that you are!" he seized the form of the outlaw in a powerful grasp, raised him high aloft as if he had been but a child, and was about to dash him to the ground when a new voice from the doorway froze him to immobility. Statute-like he stood there, holding aloft the now still form of Snake le Vasquez.
The voice from the doorway betrayed deep amazement and the profoundest irritation:
"Merton Gill, what in the sacred name of Time are you meanin' to do with that dummy? For the good land's sake! Have you gone plumb crazy, or what? Put that thing down!"The newcomer was a portly man of middle age dressed in ill-fitting black. His gray hair grew low upon his brow and he wore a parted beard.
The conqueror of Snake le Vasquez was still frozen, though he had instantly ceased to be Buck Benson, the strong, silent, two-gun man of the open spaces. The irritated voice came again:
"Put that dummy down, you idiot! What you think you're doin', anyway? And say, what you got that other one in here for, when it ought to be out front of the store showin' that new line of gingham house frocks? Put that down and handle it careful! Mebbe you think Igot them things down from Chicago just for you to play horse with.
Not so! Not so at all! They're to help show off goods, and that's what I want 'em doin' right now. And for Time's sake, what's that revolver lyin' on the floor for? Is it loaded? Say, are you really out of your senses, or ain't you? What's got into you lately? Will you tell me that? Skyhootin' around in here, leavin' the front of the store unpertected for an hour or two, like your time was your own. And don't tell me you only been foolin' in here for three minutes, either, because when I come back from lunch just now there was Mis' Leffingwell up at the notions counter wanting some hooks and eyes, and she tells me she's waited there a good thutty minutes if she's waited one. Nice goin's on, I must say, for a boy drawin'
down the money you be! Now you git busy! Take that one with the gingham frock out and stand her in front where she belongs, and then put one them new raincoats on the other and stand him out where he belongs, and then look after a few customers. I declare, sometimes Igit clean out of patience with you! Now, for gosh's sake, stir your stumps!""Oh, all right--yes, sir," replied Merton Gill, though but half respectfully. The "Oh, all right" had been tainted with a trace of sullenness. He was tired of this continual nagging and fussing over small matters; some day he would tell the old grouch so.
And now, gone the vivid tale of the great out-of-doors, the wide plains of the West, the clash of primitive-hearted men for a good woman's love. Gone, perhaps, the greatest heart picture of a generation, the picture at which you laugh with a lump in your throat and smile with a tear in your eye, the story of plausible punches, a big, vital theme masterfully handled--thrills, action, beauty, excitement--carried to a sensational finish by the genius of that sterling star of the shadowed world, Clifford Armytage--once known as Merton Gill in the little hamlet of Simsbury, Illinois, where for a time, ere yet he was called to screen triumphs, he served as a humble clerk in the so-called emporium of Amos G.
Gashwiler--Everything For The Home. Our Prices Always Right.
Merton Gill--so for a little time he must still be known--moodily seized the late Estelle St. Clair under his arm and "withdrew from the dingy back storeroom. Down between the counters of the emporium he went with his fair burden and left her outside its portals, staring from her very definitely lashed eyes across the slumbering street at the Simsbury post office. She was tastefully arrayed in one of those new checked gingham house frocks so heatedly mentioned a moment since by her lawful owner, and across her chest Merton Gill now imposed, with no tenderness of manner, the appealing legend, "Our Latest for Milady; only $6.98." He returned for Snake le Vasquez. That outlaw's face, even out of the picture, was evil. He had been picked for the part because of this face--plump, pinkly tinted cheeks, lustrous, curling hair of some repellent composition, eyes with a hard glitter, each lash distinct in blue-black lines, and a small, tip-curled black mustache that lent the whole an offensive smirk. Garbed now in a raincoat, he, too, was posed before the emporium front, labelled "Rainproof or You Get Back Your Money."So frankly evil was his mien that Merton Gill, pausing to regard him, suffered a brief relapse into artistry.
"You fiend!" he muttered, and contemptuously smote the cynical face with an open hand.
Snake le Vasquez remained indifferent to the affront, smirking insufferably across the slumbering street at the wooden Indian proffering cigars before the establishment of Selby Brothers, Confectionery and Tobaccos.
