And worse still, not only is good taste offended but, again, good sense often murmurs. Practically, the edifice fails in its object, for, erected for men to dwell in, it is in many places scarcely habitable. Because it endures it is found superannuated, ill-adapted to prevailing customs ; it formerly suited, and still suits, the feudal, scattered, and militant way of living; hence it no longer suits the unity and repose of modern life. New-born rights obtain no place in it alongside of established rights; it is either not sufficiently transformed or it has been transformed in an opposite sense, in such a way as to be inconvenient or unhealthy, badly accommodating people who are useful and giving good accommodations to useless people, costing too much to keep up and causing discomfort and discontent to nearly all its occupants. - In France, in particular, the best apartments, especially that of the King, are for a century past too high and too large, too sumptuous and too expensive. Since Louis XIV. these have imperceptibly ceased to be government and business bureaus; they have become in their disposition, decoration, and furnishing, saloons for pomp and conversation, the occupants of which, for lack of other employment, delight in discussing architecture and in tracing plans on paper for an imaginary edifice in which everybody will find himself comfortable. Now, underneath these, everybody finds himself uncomfortable, the bourgeoisie in its small scanty lodgings on the ground-floor and the people in their holes in the cellar, which are low and damp, wherein light and air never penetrate. Innumerable vagabonds and vagrants are still worse off, for, with no shelter or fireside, they sleep under the stars, and as they are without anything to care for, they are disposed to pull everything down. - Under the double pressure of insurrection and theory the demolition begins, while the fury of destruction goes on increasing until nothing is left of the razed edifice but the soil it stood on.
The new one rises on this cleared ground and, historically as well as structurally, it differs from all the others. - In less than ten years it springs up and is finished according to a plan which, from the first day, is definite and complete. It forms one unique, vast, monumental block, in which all branches of the service are lodged under one roof; in addition to the national and general services belonging to the public power, we find here others also, local and special, which do not belong to it, such as worship, education, charity, fine arts, literature, departmental and communal interests, each installed in a distinct compartment. All the compartments are ordered and arranged alike, forming a circle around the magnificent central apartment, with which each is in communication by a bell; as soon as the bell rings and the sound spreads from division to sub-division, the entire service, from the chief clerk down to the lowest employee, is instantly in motion; in this respect the arrangement, as regards despatch, co-ordination, exactitude, and working facilities, is admirable.[28]
On the other hand, its advantages and attractions for employees and aspirants of every kind and degree are not mediocre. There is no separation between the stories, no insurmountable barrier or enclosure between large and small apartments; all, from the least to the finest, from the outside as well as from the inside, have free access.
Spacious entrances around the exterior terminate in broad, well-lighted staircases open to the public; everybody can clamber up that pleases, and to mount these one must clamber; from top to bottom there is no other communication than that which they present. There is no concealed and privileged passage, no private stairway or false door;glancing along the whole rectilinear, uniform flight, we behold the innumerable body of clerks, functionaries, supernumeraries, and postulants, an entire multitude, ranged tier beyond tier and attentive; nobody advances except at the word and in his turn. -Nowhere in Europe are human lives so well regulated, within lines of demarcation so universal, so simple, and so satisfactory to the eye and to logic: the edifice in which Frenchmen are henceforth to move and act is regular from top to bottom, in its entirety as well as in its details, outside as well as inside; its stories, one above the other, are adjusted with exact symmetry; its juxtaposed masses form pendants and counterpoise; all its lines and forms, every dimension and proportion, all its props and buttresses combine, through their mutual dependencies, to compose a harmony and to maintain an equilibrium. In this respect the structure is classic, belonging to the same family of productions which the same spirit, guided by the same method, had produced in Europe for the previous one hundred and fifty years.[29] Its analogues, in the physical order of things, are the architectural productions of Mansard, Le Notre, and their successors, from the structures and gardens of Versailles down to and embracing the Madeleine and the Rue de Rivoli. In the intellectual order, its analogues consist of the literary forms of the seventeenth and eighteenth centuries, the superb oratorical prose and correct, eloquent poetry, especially epics and tragedies, including those still manufactured according to rule about the year 1810. It corresponds to these and forms their pendant in the political and social order of things, because it emanates from the same deliberate purpose. Four constitutions, in the same style, preceded it; but these were good only on paper, while this one stands firm on the ground. For the first time in modern history we see a society due to ratiocination and, at the same time, substantial; the new France, under these two heads, is the masterpiece of the classic spirit.
V. Modeled after Rome.
