The little chandler's shop with the cracked bell behind the door, whose melancholy tinkling has been regulated by the demand for quarterns of sugar and half-ounces of coffee, is shutting up. The crowds which have been passing to and fro during the whole day, are rapidly dwindling away; and the noise of shouting and quarrelling which issues from the public-houses, is almost the only sound that breaks the melancholy stillness of the night.
There was another, but it has ceased. That wretched woman with the infant in her arms, round whose meagre form the remnant of her own scanty shawl is carefully wrapped, has been attempting to sing some popular ballad, in the hope of wringing a few pence from the compassionate passer-by. A brutal laugh at her weak voice is all she has gained. The tears fall thick and fast down her own pale face; the child is cold and hungry, and its low half-stifled wailing adds to the misery of its wretched mother, as she moans aloud, and sinks despairingly down, on a cold damp door-step.
Singing! How few of those who pass such a miserable creature as this, think of the anguish of heart, the sinking of soul and spirit, which the very effort of singing produces. Bitter mockery!
Disease, neglect, and starvation, faintly articulating the words of the joyous ditty, that has enlivened your hours of feasting and merriment, God knows how often! It is no subject of jeering. The weak tremulous voice tells a fearful tale of want and famishing;and the feeble singer of this roaring song may turn away, only to die of cold and hunger.
One o'clock! Parties returning from the different theatres foot it through the muddy streets; cabs, hackney-coaches, carriages, and theatre omnibuses, roll swiftly by; watermen with dim dirty lanterns in their hands, and large brass plates upon their breasts, who have been shouting and rushing about for the last two hours, retire to their watering-houses, to solace themselves with the creature comforts of pipes and purl; the half-price pit and box frequenters of the theatres throng to the different houses of refreshment; and chops, kidneys, rabbits, oysters, stout, cigars, and 'goes' innumerable, are served up amidst a noise and confusion of smoking, running, knife-clattering, and waiter-chattering, perfectly indescribable.
The more musical portion of the play-going community betake themselves to some harmonic meeting. As a matter of curiosity let us follow them thither for a few moments.
In a lofty room of spacious dimensions, are seated some eighty or a hundred guests knocking little pewter measures on the tables, and hammering away, with the handles of their knives, as if they were so many trunk-makers. They are applauding a glee, which has just been executed by the three 'professional gentlemen' at the top of the centre table, one of whom is in the chair - the little pompous man with the bald head just emerging from the collar of his green coat. The others are seated on either side of him - the stout man with the small voice, and the thin-faced dark man in black. The little man in the chair is a most amusing personage, - such condescending grandeur, and SUCH a voice!
'Bass!' as the young gentleman near us with the blue stock forcibly remarks to his companion, 'bass! I b'lieve you; he can go down lower than any man: so low sometimes that you can't hear him.'
And so he does. To hear him growling away, gradually lower and lower down, till he can't get back again, is the most delightful thing in the world, and it is quite impossible to witness unmoved the impressive solemnity with which he pours forth his soul in 'My 'art's in the 'ighlands,' or 'The brave old Hoak.' The stout man is also addicted to sentimentality, and warbles 'Fly, fly from the world, my Bessy, with me,' or some such song, with lady-like sweetness, and in the most seductive tones imaginable.
'Pray give your orders, gen'l'm'n - pray give your orders,' - says the pale-faced man with the red head; and demands for 'goes' of gin and 'goes' of brandy, and pints of stout, and cigars of peculiar mildness, are vociferously made from all parts of the room. The 'professional gentlemen' are in the very height of their glory, and bestow condescending nods, or even a word or two of recognition, on the better-known frequenters of the room, in the most bland and patronising manner possible.
The little round-faced man, with the small brown surtout, white stockings and shoes, is in the comic line; the mixed air of self-denial, and mental consciousness of his own powers, with which he acknowledges the call of the chair, is particularly gratifying.
'Gen'l'men,' says the little pompous man, accompanying the word with a knock of the president's hammer on the table - 'Gen'l'men, allow me to claim your attention - our friend, Mr. Smuggins, will oblige.' - 'Bravo!' shout the company; and Smuggins, after a considerable quantity of coughing by way of symphony, and a most facetious sniff or two, which afford general delight, sings a comic song, with a fal-de-ral - tol-de-ral chorus at the end of every verse, much longer than the verse itself. It is received with unbounded applause, and after some aspiring genius has volunteered a recitation, and failed dismally therein, the little pompous man gives another knock, and says 'Gen'l'men, we will attempt a glee, if you please.' This announcement calls forth tumultuous applause, and the more energetic spirits express the unqualified approbation it affords them, by knocking one or two stout glasses off their legs - a humorous device; but one which frequently occasions some slight altercation when the form of paying the damage is proposed to be gone through by the waiter.
Scenes like these are continued until three or four o'clock in the morning; and even when they close, fresh ones open to the inquisitive novice. But as a description of all of them, however slight, would require a volume, the contents of which, however instructive, would be by no means pleasing, we make our bow, and drop the curtain.
