Now, my friends, that you may put in for a share of this new wisdom, and shake off the antiquated folly this very moment, scratch me out of your scrolls and quite discard the symbol of the old philosopher with the golden thigh, by which he has forbidden you to eat beans; for you may take it for a truth granted among all professors in the science of good eating, that he enjoined you not to taste of them only with the same kind intent that a certain fresh-water physician had when he did forbid to Amer, late Lord of Camelotiere, kinsman to the lawyer of that name, the wing of the partridge, the rump of the chicken, and the neck of the pigeon, saying, Ala mala, rumpum dubium, collum bonum, pelle remota. For the duncical dog-leech was so selfish as to reserve them for his own dainty chops, and allowed his poor patients little more than the bare bones to pick, lest they should overload their squeamish stomachs.
To the heathen philosopher succeeded a pack of Capuchins, monks who forbid us the use of beans, that is, Pantagruelian books. They seem to follow the example of Philoxenus and Gnatho, one of whom was a Sicilian of fulsome memory, the ancient master-builders of their monastic cram-gut voluptuousness, who, when some dainty bit was served up at a feast, filthily used to spit on it, that none but their nasty selves might have the stomach to eat of it, though their liquorish chops watered never so much after it.
So those hideous, snotty, phthisicky, eaves-dropping, musty, moving forms of mortification, both in public and private, curse those dainty books, and like toads spit their venom upon them.
Now, though we have in our mother-tongue several excellent works in verse and prose, and, heaven be praised! but little left of the trash and trumpery stuff of those duncical mumblers of ave-maries and the barbarous foregoing Gothic age, I have made bold to choose to chirrup and warble my plain ditty, or, as they say, to whistle like a goose among the swans, rather than be thought deaf among so many pretty poets and eloquent orators. And thus I am prouder of acting the clown, or any other under-part, among the many ingenious actors in that noble play, than of herding among those mutes, who, like so many shadows and ciphers, only serve to fill up the house and make up a number, gaping and yawning at the flies, and pricking up their lugs, like so many Arcadian asses, at the striking up of the music; thus silently giving to understand that their fopships are tickled in the right place.
Having taken this resolution, I thought it would not be amiss to move my Diogenical tub, that you might not accuse me of living without example. Isee a swarm of our modern poets and orators, your Colinets, Marots, Drouets, Saint Gelais, Salels, Masuels, and many more, who, having commenced masters in Apollo's academy on Mount Parnassus, and drunk brimmers at the Caballin fountain among the nine merry Muses, have raised our vulgar tongue, and made it a noble and everlasting structure. Their works are all Parian marble, alabaster, porphyry, and royal cement; they treat of nothing but heroic deeds, mighty things, grave and difficult matters, and this in a crimson, alamode, rhetorical style. Their writings are all divine nectar, rich, racy, sparkling, delicate, and luscious wine.
Nor does our sex wholly engross this honour; ladies have had their share of the glory; one of them, of the royal blood of France, whom it were a profanation but to name here, surprises the age at once by the transcendent and inventive genius in her writings and the admirable graces of her style.
Imitate those great examples if you can; for my part I cannot. Everyone, you know, cannot go to Corinth. When Solomon built the temple, all could not give gold by handfuls.
Since then 'tis not in my power to improve our architecture as much as they, I am e'en resolved to do like Renault of Montauban: I'll wait on the masons, set on the pot for the masons, cook for the stone-cutters; and since it was not my good luck to be cut out for one of them, I will live and die the admirer of their divine writings.
As for you, little envious prigs, snarling bastards, puny critics, you'll soon have railed your last; go hang yourselves, and choose you out some well-spread oak, under whose shade you may swing in state, to the admiration of the gaping mob; you shall never want rope enough. While Ihere solemnly protest before my Helicon, in the presence of my nine mistresses the Muses, that if I live yet the age of a dog, eked out with that of three crows, sound wind and limbs, like the old Hebrew captain Moses, Xenophilus the musician, and Demonax the philosopher, by arguments no ways impertinent, and reasons not to be disputed, I will prove, in the teeth of a parcel of brokers and retailers of ancient rhapsodies and such mouldy trash, that our vulgar tongue is not so mean, silly, inept, poor, barren, and contemptible as they pretend. Nor ought I to be afraid of Iknow not what botchers of old threadbare stuff, a hundred and a hundred times clouted up and pieced together; wretched bunglers that can do nothing but new-vamp old rusty saws; beggarly scavengers that rake even the muddiest canals of antiquity for scraps and bits of Latin as insignificant as they are often uncertain. Beseeching our grandees of Witland that, as when formerly Apollo had distributed all the treasures of his poetical exchequer to his favourites, little hulchbacked Aesop got for himself the office of apologue-monger; in the same manner, since I do not aspire higher, they would not deny me that of puny rhyparographer, or riffraff follower of the sect of Pyreicus.
