'A certain kind of energy which men with any fondness for art possess very seldom indeed--an earnestness in making acquaintances, and a love for using them. They give their whole attention to the art of dining out, after mastering a few rudimentary facts to serve up in conversation. Now after saying that, do I seem a man likely to make a name?'
'You seem a man likely to make a mistake.'
'What's that?'
'To give too much room to the latent feeling which is rather common in these days among the unappreciated, that because some remarkably successful men are fools, all remarkably unsuccessful men are geniuses.'
'Pretty subtle for a young lady,' he said slowly. 'From that remark I should fancy you had bought experience.'
She passed over the idea. 'Do try to succeed,' she said, with wistful thoughtfulness, leaving her eyes on him.
Springrove flushed a little at the earnestness of her words, and mused. 'Then, like Cato the Censor, I shall do what I despise, to be in the fashion,' he said at last. . . 'Well, when I found all this out that I was speaking of, what ever do you think I did? From having already loved verse passionately, I went on to read it continually; then I went rhyming myself. If anything on earth ruins a man for useful occupation, and for content with reasonable success in a profession or trade, it is the habit of writing verses on emotional subjects, which had much better be left to die from want of nourishment.'
'Do you write poems now?' she said.
'None. Poetical days are getting past with me, according to the usual rule. Writing rhymes is a stage people of my sort pass through, as they pass through the stage of shaving for a beard, or thinking they are ill-used, or saying there's nothing in the world worth living for.'
'Then the difference between a common man and a recognized poet is, that one has been deluded, and cured of his delusion, and the other continues deluded all his days.'
'Well, there's just enough truth in what you say, to make the remark unbearable. However, it doesn't matter to me now that I "meditate the thankless Muse" no longer, but. . .' He paused, as if endeavouring to think what better thing he did.
Cytherea's mind ran on to the succeeding lines of the poem, and their startling harmony with the present situation suggested the fancy that he was 'sporting' with her, and brought an awkward contemplativeness to her face.
Springrove guessed her thoughts, and in answer to them simply said 'Yes.' Then they were silent again.
'If I had known an Amaryllis was coming here, I should not have made arrangements for leaving,' he resumed.
Such levity, superimposed on the notion of 'sport', was intolerable to Cytherea; for a woman seems never to see any but the serious side of her attachment, though the most devoted lover has all the time a vague and dim perception that he is losing his old dignity and frittering away his time.
'But will you not try again to get on in your profession? Try once more; do try once more,' she murmured. 'I am going to try again. I have advertised for something to do.'
'Of course I will,' he said, with an eager gesture and smile. 'But we must remember that the fame of Christopher Wren himself depended upon the accident of a fire in Pudding Lane. My successes seem to come very slowly. I often think, that before I am ready to live, it will be time for me to die. However, I am trying--not for fame now, but for an easy life of reasonable comfort.'
It is a melancholy truth for the middle classes, that in proportion as they develop, by the study of poetry and art, their capacity for conjugal love of the highest and purest kind, they limit the possibility of their being able to exercise it--the very act putting out of their power the attainment of means sufficient for marriage.
The man who works up a good income has had no time to learn love to its solemn extreme; the man who has learnt that has had no time to get rich.
'And if you should fail--utterly fail to get that reasonable wealth,' she said earnestly, 'don't be perturbed. The truly great stand upon no middle ledge; they are either famous or unknown.'
'Unknown,' he said, 'if their ideas have been allowed to flow with a sympathetic breadth. Famous only if they have been convergent and exclusive.'
'Yes; and I am afraid from that, that my remark was but discouragement, wearing the dress of comfort. Perhaps I was not quite right in--'
'It depends entirely upon what is meant by being truly great. But the long and the short of the matter is, that men must stick to a thing if they want to succeed in it--not giving way to over-much admiration for the flowers they see growing in other people's borders; which I am afraid has been my case.' He looked into the far distance and paused.
Adherence to a course with persistence sufficient to ensure success is possible to widely appreciative minds only when there is also found in them a power--commonplace in its nature, but rare in such combination--the power of assuming to conviction that in the outlying paths which appear so much more brilliant than their own, there are bitternesses equally great--unperceived simply on account of their remoteness.
They were opposite Ringsworth Shore. The cliffs here were formed of strata completely contrasting with those of the further side of the Bay, whilst in and beneath the water hard boulders had taken the place of sand and shingle, between which, however, the sea glided noiselessly, without breaking the crest of a single wave, so strikingly calm was the air. The breeze had entirely died away, leaving the water of that rare glassy smoothness which is unmarked even by the small dimples of the least aerial movement. Purples and blues of divers shades were reflected from this mirror accordingly as each undulation sloped east or west. They could see the rocky bottom some twenty feet beneath them, luxuriant with weeds of various growths, and dotted with pulpy creatures reflecting a silvery and spangled radiance upwards to their eyes.
