[27]. Edgar Allan Poe. The Masque of the Red Death. London：Penguin Group，2008，p. 61.
[28].Bernard F. Dukore. Harold Pinter. London：Macmillan Press Ltd.，1982，p. 24.
[29].Harold Pinter.“Writing for the Theatre”. Harold Pinter：Various Voices：Prose，Poetry，Politics. Lon-don：Faber and Faber，1998，p. 60.
[30].Judith Lorber and Lisa Jean Moor. Gender and Social Construction of Illness. New York：The Row-man and Littlefield Publishing Group，Inc.，2002，p. 1.
[31].Lupton Deborah. Medicine as Culture：Illness，Disease and the Body in Western Societies. London：SAGE Publication Ltd.，2003. p. 7.
[32].James Aho and Kevin Aho. Body Matters：A Phenomenology of Sickness，Disease and Illness. New York：Roman Littlefield Publishers，Inc. 2008，p. 103.
[33].James Aho and Kevin Aho. Body Matters：A Phenomenology of Sickness，Disease and Illness. New York：Roman Littlefield Publishers，Inc. 2008，p. 11.
[34].Ibid.，p. 9.
[35].苏珊·桑塔格，《疾病的隐喻》，程巍译。上海：上海译文出版社，2003，第102页。
[36].Judith Lorber and Lisa Jean Moor. Gender and Social Construction of Illness. New York：The Row-man and Littlefield Publishing Group，Inc.，2002，p. 6.
[37].James Aho and Kevin Aho. Body Matters：A Phenomenology of Sickness，Disease and Illness. NewYork：Roman Littlefield Publishers，Inc. 2008，p. 115.
[38].Lupton Deborah. Medicine as Culture：Illness，Disease and the Body in Western Societies. London：SAGE Publication Ltd.，2003，p. 42.
[39].谭光辉，《症状的症状：疾病隐喻与中国现代小说》，学位论文：四川大学，2006，第35页。
[40].James Aho and Kevin Aho. A Phenomenology of Sickness，Disease and Illness. New York：Roman Littlefield Publishers，Inc.，2008，p. 125.
[41].Lupton Deborah. Medicine as Culture：Illness，Disease and the Body in Western Societies. London：SAGE Publication Ltd.，2003，p. 95.
[42].Martin Esslin. The Theatre of the Absurd. London：Penguin Books，1978，p. 402.
[43].周来祥，《文艺美学》。北京：人民文学出版社，2003，第231页。
[44].舍斯塔科夫，《美学范畴论———系统研究和历史研究尝试》，理然译。长沙：湖南文艺出版社，1990，第139页。
[45].Gotthold Ephraim Lessing.“Laocoon”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing：Peking University Press，2006，p. 379.
[46].Gotthold Ephraim Lessing.“Laocoon”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing：Peking University Press，2006，p. 381.
[47].Horace.“Art of Poetry”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing：Peking University Press，2006，p. 79.
[48].维克多·雨果，《克伦威尔序言》，选自《雨果论文学》，柳鸣九译。上海：上海译文出版社， 1980，第30页。
[49].同上，第33页。
[50].同上，第84页。
[51].转引自周来祥，《文艺美学》。北京：人民文学出版社，2003，第235页。
[52].同上，第244页。
[53].“Absurd”. Def. 1. The Oxford English Dictionary. 2nd ed. 2004.
[54].Martin Esslin. The Theatre of the Absurd. London：Penguin Books，1978，p. 23.
[55].Aristotle.“Poetics”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing：Peking University Press，2006，p. 54.
[56].亚里士多德在他的《诗学》中论述喜剧时指出：“喜剧是对低下类型人物的模仿，然而，却不是人们意识中的‘坏’，滑稽其实是丑的细分，它包含了一些并非疼痛的或是破坏性的缺点或丑陋，最明显的例子就是喜剧面具是丑陋的、变形的，然而却不会令人感到痛苦。”See Ar-istotle.“Poetics”. Critical Theory since Plato. Ed. Hazard Adams and Leroy Searle. Beijing：Pe-king University Press，2006，p. 54.
[57].Ralph M. Leary. Uncertainty in Harold Pinter’s Play： Playing with the Responses of the Spectators. Diss. The State University of New Jersey，1984，p. 1.
[58].Martin Esslin. The Theatre of the Absurd. London：Penguin Books，1978，p. 411.
[59].Ibid.，p. 24.
[60].Perry Claude Dillon. The Characteristics of French Theater of the Absurd in the Plays of Edward Al-bee and Harold Pinter. University of Arkansas，1968，p. 6.
[61].周宁编，《西方戏剧理论史》。厦门：厦门大学出版社，2008，第994页。
[62].Michael Lambek and Paul Antze. Illness and Irony：on the Ambiguity of Suffering in Culture. New York：Berghahn Books，2003，p. 21.
[63].古斯塔夫·弗莱塔克，《论戏剧情节》，张玉书译。上海：上海译文出版社，1981，第66页。
[64].Susan H. Mcdaniel，Jeri Hepworth and William J. Doherty. The Shared Experience of Illness：Stories of Patients，Family and Their Therapists. New York：Perseus Books Groups，1997，p. 2.
[65].周宁编，《西方戏剧理论史》。厦门：厦门大学出版社，2008，第1213页。
[66].同上，第1218页。
[67].James Aho and Kevin Aho. Body Matters：A Phenomenology of Sickness，Disease and Illness. New York：Roman Littlefield Publishers，Inc.，2008，p. 55.
[68].Martin Esslin. The Theatre of the Absurd. London：Penguin Books，1978，p. 25.
[69].Martin Esslin. Pinter，the Playwright. London：Methuen，1978，p. 47.
[70].王燕，“论品特戏剧中的疾病”，《当代外国文学》，2（2008）：72-79.
[71].Martin Esslin. Pinter，the Playwright. London：Methuen，1978，p. 55.
[72].Dominick Lacapra. Writing History，Writing Trauma. The Johns Hopkins University Press，2001， p. 21.
[73].Dominick Lacapra. Writing History，Writing Trauma. The Johns Hopkins University Press，2001， p. 20.
[74].西格蒙德·弗洛伊德，《精神分析引论》，高觉敷译。北京：商务印书馆，1997，第216页。
[75].王晓路，《文化批评关键词研究》。北京：北京大学出版社，第325页。
[76].Harry Derbyshire.“Pinter as Celebrity”. The Cambridge Companion to Harold Pinter. Ed. Peter Raby. Cambridge：Cambridge University Press，2001，p. 234.
[77].Ibid.，p. 234.
